Vibratory
deburring/polishing Rough guidelines:
by A F Kenton
Media
Selection
The
selection of vibratory/tumbling media depends on the machining effect
you want to achieve. If you want to remove as much material as possible
in the shortest period of time, then you want the biggest, coarsest,
abrasive media that you can fit into your machine. The media must
also be compatible with the parts that have to be worked. The is,
the media should not bend the parts or get stuck in them. The latter
problem is probably the major reason why many companies avoid the
use of vibratory finishing equipment.
The lodging problem is the key to media selection. Because of the
wide variety of parts most firms make, it is somewhat difficult for
companies to maintain all the sizes and shaped of media in stock,
without getting stuck.
There is no single "cure-all" media for all parts or jobs,
however in most cases, there is a trade-off. All media's will work
or do something to workpieces, and there are some recognizable patterns
that can produce certain expected results. Here then are some rough
guidelines to help narrow down your selection process:
● For rapid removal of large amounts of material... you
will need an abrasive ceramic media usually referred to as fast cut
or having a high number. This media works fast, but also breaks down
quickly. It produces the roughest finish or surface variation known
as RMS, and the lower the number, the finer the finish.
● For finer, lower RMS surfaces... plastic or synthetic
composition media's work better than ceramics. This is due to their
light weight and milder abrasive matrix. Most plastics are used on
non-ferrous metals prior to painting or plating.
● For bright finishes know as burnishing... you can use
steel or porcelain media's Steel is fastest due to its weight. Ball
or sphere is the preferred shape unless the applications involves
many recesses or angles. The brightness referred to here does not
necessarily mean a low RMS surface.
● For the brightest, lowest RMS finish possible... you
should consider a dry hard-wood process. This process takes the greatest
amount of time since the specific gravity of wood is so light.
The following offers a quick reference for most media's currently
in use. There are some variables, so it must be understood that results
can sometimes differ from those shown.
| Media |
RMS |
| Course
Ceramic |
28
to 32 |
| Fine
Ceramic |
22
to 30 |
| Steel/Porcelain |
16
to 24 |
| Coarse
Plastic |
16
to 20 |
| Fine
Plastic |
10
to 18 |
| Coarse
Wood |
6
to 12 |
| Fine
Wood |
2
to 8 |
Media
Shape
Normally, you select the shape and size of media for two reasons.
One, to deburr parts with rough outer surface features, and two,
to deburr parts with both internal and external surfaces.
For reason one, you don't have much of a problem because you are
talking about parts that basically have two dimensions and little
depth. In this case, use the biggest media possible. The triangle
or tristar is usually the preferred shape because of its ability
to penetrate without getting stuck and its large surface area
and / or leading edge. This flat shape requires more energy to
move and creates higher resistant forces that will remove more
material in a shorter amount of time.
For reason two, deburring both ID and OD, the cylinder shape lens
itself to most applications. It offers greater mobility than a
flat configuration and can pass more easily through holes and
recesses. If you want to deburr inside holes, select a cylinder
just under the size of the smallest hole, but more than half its
OD. This will keep two or more pieces from jamming up inside.
Most cylinders come in three different angle cuts. The standard
angle cut is 22. There is also the 45 and the 60. The angle cutis
what works most Ids. Because of these angles, you may not need
to select an under-sized cylinder, but may work the area from
outside or above the hole.
Unfortunately, there is no one size or shape media that can do
everything. The closest thing to this is a shape called the wedge
tricylinder or the 'V' cut cylinder. This shape excels in its
ability to penetrate and its extreme mobility. All media's are
geometric in shape and this usually means that center of gravity
is located at the center of each media piece. However, center
of gravity falls on the outside edge of the 'V' cut shape, making
it very unstable and/or mobile. For this reason, it is the best
general or universal shape to use when in doubt.
Media composition
There are many grades of media, but normally there are five
in standard ceramic and at least three in plastic.
The coarsest or fast cut also breaks down the fastest. When referring
to coarse media, we are talking about the grain size of the largest
material in suspension of the matrix compound. This is usually
aluminum oxide, but can also be silicon carbide, silicon, quartz,
garnet, or other material. Supposedly, the fastest-cutting and
more expensive type is silicon carbide. The least expensive is
aluminum oxide. Plastics are generally a little more in cost than
ceramic, and steel media's are the most expensive at two to four
times the cost of ceramic. Wood media is relatively inexpensive,
especially if you take volume into consideration.
The normal time cycle in vibratory equipment for coarse media
is usually less than 30 minutes, unless there are big surface
variations or the media is hardened. At the media grain size becomes
smaller or finer, the time cycle increases and RMS improves. When
you reach the finest ceramic media which is porcelain, you are
no longer removing material or deburring the part, but actually
rolling or lapping the part. Any breakdown or material removal
is the result of bending and flexing, and fatigue of the burr.
Time cycles of one hour or more are standard. Unlike coarse media's
that work better new, porcelain becomes more efficient as it gets
older.
Plastic or synthetic media's generally take much more time to
work than does ceramic. However, they are usually better on non-ferrous
brass, aluminum, zinc, etc. This is die to lighter specific gravity
resulting in reduced material removal for a finer and lower RMS.
Time cycles can very from 30 minutes to an hour or greater.
Steel and wood media's do not normally have grades or different
compositions. Size and compounds play more a part in the material
finishing than does the grit.
Compounds
Almost all deburring media's work better with water and a chemical
compound. The compound additive helps to work both the part and
the working surfaces of the media. This is done mainly by controlling
the Ph of the liquid. The only exception to this is the dry hard-wood
processes, but even here, this is possible.
The purpose of the compound and the water is to maintain the suspension
of the contaminated soils or metal off the parts and media. Otherwise,
the cutting oils on the parts and the material will stick to the
media and reduce its action. Compounds can also react with the parts
being worked to affect finish and influence time cycles.
Most chemical compounds are a concentrate that must have water added
to them. This is usually accomplished with a compound metering pump
that proportions the liquids automatically, or through mixing and
re-circulating gravity-fed liquids through the system.
Besides dealing with Ph of chemicals, you are also dealing with
different concentrates. Because of this, pricing fluctuates a great
deal on chemicals, and you are never really sure what you are getting.
A good product is usually diluted by at least 8 to 12 parts water
to chemical. After some experience on your part, you will probably
end up with three or four products- one for ferrous metals, one
for non-ferrous, and one for brightening or rust inhibiting.
Equipment
In this discussion, we have not talked too much about equipment.
Despite the fact that equipment really determines your time cycles,
speed, and productivity, it is the one factor that you are probably
locked into by virtue of what you can afford or already have on
hand in your shop. Media coarseness and liquid Ph control the factors
of surface finish, as well as the equipment, given enough time.
Basically, equipment, media, and compounds are the three main factors
that have bearing on surface finish. No one factor dominates the
others to the point of selecting one or another, but time is probably
the biggest and money is the second.
Centrifugal equipment may save you money in the long run because
of time cycles, but there is substantial cost involved up front.
Because of shorter time cycles required for -just-in-time- production,
the demand is leaning toward smaller and more versatile equipment.
• Nova Finishing Systems Inc., manufactures small, heavy-duty
bowl finishers that stack up to most of the big equipment on the
market, but cost much less. Nova series vibratory equipment also
comes with the same warranties of the larger machines. Form more
information on this equipment line, contact:
Nova
Finishing
PO
Box 185, Hatboro, PA 19040 * 1610 Republic Rd. Huntingdon Valley,
PA. 19006
215-942-4474
* 800-444-4159 * Fax 215-953-1342
novasales@novafinishing.com
|